Where to Find More Me!

You can read two new posts of mine over at my new site, Nouvelle Vagueness!

A Case For The Face: Cinema's Lost Lexicon 

The Lacemaker (La Dentellière), 1977: A Study in Invisibility

Bette (really Madeleine)

I've Moved [blog] House!

Hellooo everybody!!!

I'm so pleased to see I haven't been abandoned by my followers during my long absence!!! I've been super bogged down by school work for the past year (I recently took GCSEs and am now studying A Levels), but recently I got so lonesome for my classic movie writing and watching I decided to start a new blog! It's called, "Nouvelle Vagueness," a play on the name for the "New Wave" period of French Film. It will still be a predominantly classic film blog, with the addition of maybe some literature and culture in general. I've also decided to use my real name this time which is Madeleine (not Bette, shock horror!) Please, please, please go and have a look and please follow! I'd love to keep lots of my old readers. I've just published a post on Greta Garbo which you can read here.

Hope to see many of you over there!

Madeleine

Look who's here! I'm still here!

Despite the probability of that slightly contrived Stephen Sondheim reference going completely unnoticed I couldn't resist (Follies anyone?). I really am still here. Vaguely. I just wanted to announce what will be a new series on this blog which was really my mum's idea.

We watched "A Star Is Born" again last night and she came up with a great idea for a series of posts. The series consists of the reviews of five backstage movies. Be it the backlots of the movie studios or the wings of a broadway theatre. These five are as follows, and are to be reviewed in this order: All About Eve (1950), Funny Girl (1968), Singing In The Rain (1952), Sunset Boulevard (1950) and concluding with A Star Is Born (1954). The series is going to be called "Into The Heart Of An Artichoke: Uncovering The Darker Side of Showbiz". I know there are many that I've missed out on that list (I just had a pang of conscience when I realised I'd missed out my beloved "Gypsy") But I thought these reflected the broad spectrum of what these films can be like best.

Credit goes to Lejazzhot for the original image.

As usual I can't make any promises about when this series will run exactly, it will be quite erratic but I would like to get all of those films reviewed and compared in the near future. Hope you'll enjoy!

Bette

Kramer Vs Kramer

Hi guys! I'm very much back from my hiatus. I had my exam week which was very stressful, and I also had that monologue acting competition that I was talking about in my last post... Guess what guys. I WON!!!!! Yay! I was so thrilled. Learned from this experience: I would be so bad at oscar acceptance speeches. They called my name as the winner and I went, "ME?" then skipped up to get my award, smiled like a doofus and gave the audience the thumbs up as they clapped me. Sophisticated I know. Anyway, that's my exciting news. But aside from that, I am socked to announce that the era of films I usually watch has recently been extended to include movies from the 1970s through the 80s. Guess who you have to thank for that? MERYL STREEP. Hope you guys wont mind too much... Anyhow, here's Kramer Vs Kramer.

[my gif]

"Jeff, I'm leaving you," is what Jeff Kramer (Dustin Hoffman) is greeted by one day he returns from work. He's just been assigned the most important advertising account of his career. His wife Joanna (Meryl Streep) packed her bags and left him and their young child.

Jeff is left to cope with his son, Billy (Justin Henry), who he's never had time for (he never had time for his wife, either.) It's extremely difficult at first, but they manage to bond together over their mutual loss of their wife/mother. Jeff becomes Billy's mother, father, best friend and protector. But their whole life is thrown off balance when Joanna comes back asking for custody of her child.

Therein starts a court case which delves deep into the emotional traumas that caused the breakup, and a ferocious fight over who has more of a right to Billy. Joanna gives an extremely emotional and heart-wrenching testimony, and so does Jeff. It looks neck in neck. Who will win custody of Billy?

[source]

This is a very special film that spends an awful lot of time exploring relationships. It doesn't need a fast paced plot all the time, the actors carry this expertly. Robert Benton, the director and adaptor, had a difficult time convincing Dustin Hoffman to do this film. Dustin was going through a divorce at the time and he felt the original novel and screenplay didn't deal sensitively enough with the subject matter. So they came up with a solution. Get Dustin to write the script with them.

The direction is beautiful. Raw, but still beautiful. Meryl Streep claims he was a very easy going director who very much let the creative juices of the actors flow. She compared it to the directing style of Woody Allan (she was working on Manhattan, 1979, an Kramer Vs Kramer simultaneously) who would stop her mid-take and say "Meryl... There's, there's a comma... in the middle of that sentence." Meryl replied, "Yes?" "Why don't you use it?" Allan said.

Dustin Hoffman is wonderful in this film. He's very sensitive, which is something I don't usually find him. He really is an extremely instinctive actor. However, sometimes this "instinctive-ness" and "improvisation" went a little too far. There are all sorts of stories or Dustin slapping Meryl streep before takes to get her to be cross with him and Dustin smashing glasses in scenes without telling anyone.

[my gif]

Such a method actor. Apparently, though, he really genuinely was angry and disliked Meryl Streep. I mean, you can see it from this picture.

Meryl Streep is fantastic as Joanna. Her court scene is one of the most moving scenes I've ever seen. I'm sorry I just can't deal. Also, the way she is with Justin Henry is the sweetest thing ever. Also I need hair like that now. It's amazing. Oh my god. Seriously, It's my goal. But I really think she's now definitely on my favourites list. She's an incredible actress. Yay Meryl!!!

 [my gifs]

These two are backed by a fabulous supporting cast. Justin Henry who plays Billy is one of the best child actors I've ever seen. So "instinctive" and emotional. Gotta love him. Especially in the famous ice-cream scene.

[my gifs]

Also very good is Jane Alexander, the recently divorced neighbour of Jeff and Joanna. It's not an easy part to play without it seeming self-righteous and she does a great - and humorous - job. Though, she lost out on an academy award for best supporting actress to Meryl Streep for her performance as Joanna. In all honesty there was no-one else that award could possibly have gone to.

All in all, I loved this film. Can't really think of any negatives. Watch it!

Bette